Tag Archives: future

The Future Of Money: Stowe Boyd talks to Christian Nold about The Bijlmer Euro

I wrote this post for InterventTech on 01 July 2009. Click on the link at the bottom to read the full post.


BLOG EXTRACT – Stowe Boyd has launched a new interview series examining the future of money. He’s planning to talk with all sorts of people including artists (like Christian Nold), futurists (like Jamais Cascio), writers (like Bruce Sterling and Steven Berlin Johnson), economists, philanthropists, and all sorts of other people interested in where this is headed.

Here’s the second interview in this series with Christian Nold. Christian talks with Stowe about a recent project called The Bijlmer Euro, based in the Bijlmer District in South East Amsterdam. Commissioned by Imagine IC,

The Bijlmer Euro examines how cash transfer and trust networks function in the Bijlmer area. The aim of the project is to develop a prototype system for an alternative local currency that could support local development and work in conjunction with the Euro.

Watch the interview – The Future Of Money: Stowe Boyd talks to Christian Nold about The Bijlmer Euro.

Digital futures at Futuresonic 2009

I wrote this post for InterventTech on 19 May 2009. Click on the link at the bottom to read the full post.


BLOG EXTRACT – Kicked off and driven by Stow Boyd, the Digital futures session at Futuresonic 09 was beautifully optimistic. The session explored new visions for the future based on behaviours and trends emerging from networked culture and raised some tricky questions about the importance of shared vision and collective decision making in successfully shaping the future we want.

Leading on this platform, Stow Boyd introduced the term Edglings to the Futuresonic audience.  Boyd first introduced Edglings on his blog /Message back in 2006 as a metaphor for a new kind of citizen. A citizen that he saw emerging as a result of the web. In Boyds view, this new kind of citizen is defined by a new worldview made possible by the internet and the possibility of extended interaction between many. Edglings hold a ‘glocalised’ perspective on the world (simultaneously local and global rather than national) and are attracted online because it provides a more egalatarian view of the world, the possibility to produce, consume and take part. On top of this networked communication online also provides a sense of personal empowerment that other publishing mediums cannot on the same scale, it enables people to talk about what matters to them, connect up with others and potentially ‘make a difference’ in some way. In terms of impact Boyd described Edglings as a movement underpinned by a common set of values. These values Boyd expressed, will help drive us toward a web culture that offers broader hope for humanity and the possibility of a survivable future. Wowser.

Read this post in full | Digital futures at Futuresonic.

Futuresonic 2009 round up

I wrote this post for InterventTech on 16 May 2009. Click on the link at the bottom to read the full post.


BLOG EXTRACT – So it’s May again which means that it’s time for me along with hundreds of other art-tech and social media types to descend on Manchester for Futuresonic09.


First of all I’d like to say a BIG ‘well done’ to the Director of the festival Drew Hemment and his brilliant team. This years conference was really well organised and brought a great collection of speakers together. The ranging insight and expertise each speaker brought to the conference felt relevant and the mix of practicing artists and ‘tech-industry’ representatives generated some interesting debates on the platform.

The over arching thread of the conference was environment 2.0 but within that key sessions were guided by a few more specific themes. These were:

Some InterventTech round up posts on specific sessions to follow soon.

Read this post in full | Futuresonic09 round up.

People Power: Art and Bio Ethics

I wrote this post for InterventTech on 9 November 2008. Click on the link at the bottom to read the full post.



Arriving approximately 1hr late to BioCentre’s The Role of Arts in Democratic Policy Making event, I was none-the-less welcomed by event organisers, kindly shown to my seat and handed the obligatory ‘conference pack.’

On arriving at the National Theatre for this mini-con I wasn’t entirely sure what to expect. On the one hand I knew I had a decent understanding and growing interest in the visual art and bioethic space (so I follow the work of Orlan, Marc Quinn, Stelarc and Critical Art Ensemble quite closely), but I also knew that I felt pretty clueless about how this afternoon would play out. What I would ultimately come away with. I’m pleased to say I was pleasantly surprised! The event was great, and attracted a really cross cutting audience.

Read this post in full | People Power: Art and Bio Ethics.